Nigerian music star Adekunle Gold has cemented his place in the nation's cultural history by becoming the first artist to headline a concert at the newly renovated Wole Soyinka Centre for Culture and Creative Arts, popularly known as the National Theatre in Lagos.
A Night of Grandeur and Cultural Significance
The landmark event, which took place on January 7, 2026, was a sold-out orchestral performance that served as a powerful reintroduction of the iconic venue. The tickets for the concert were completely sold out within just five days of the announcement, highlighting both Adekunle Gold's massive appeal and the public's anticipation for the theatre's revival.
For the special night, the artist was joined on stage by the 55-member MUSON Orchestra and his own band, The 79th Element. Together, they delivered a masterful fusion of heritage and innovation, reimagining songs from his critically acclaimed 'Fuji' album and other hits from his decade-long career through sweeping orchestral arrangements.
Surprise Appearances and Global Acclaim
The concert was elevated by several surprise guest performances that sent the audience into a frenzy. Davido joined Adekunle Gold for electrifying renditions of their collaborations 'Only God Can Save Me' and 'High'. The stage also welcomed legendary figures Tungba maestro Yinka Ayefele and Fuji icon Adewale Ayuba for a powerful performance of the hit song 'Many People'.
This Lagos concert followed another historic milestone for the artist. On November 23, 2025, Adekunle Gold became the first Nigerian artist to headline an orchestral show at London's Royal Festival Hall, closing the EFG London Jazz Festival with the Guildhall Session Orchestra. The back-to-back successes in London and Lagos firmly establish his unique position in expanding the global perception of Nigerian music.
Setting a New Benchmark for Nigerian Live Music
The event was more than just a concert; it was a cultural moment that blurred the lines between popular music, classical performance, and theatrical storytelling. Social media platforms were flooded with reactions from fans, critics, and industry insiders, with many hailing it as a generational turning point for live music production in Nigeria.
By inaugurating the National Theatre after its long-awaited restoration, Adekunle Gold connects himself to the legacy of iconic artists who have graced its stage while simultaneously ushering the venue into a bold new era. The performance has set a new benchmark for artistic ambition, proving that Nigerian artists can create world-class concert experiences that rival any on the global stage.
