Oyemykke Voices Disappointment Over Davido's Grammy Loss to Tyla
Social media commentator Abisoye Olukoya Michael, widely known as Oyemykke, has publicly reacted to the results of the 68th Grammy Awards, expressing particular dissatisfaction with Davido's loss in the Best African Music category. The event, held in Los Angeles, saw South African singer Tyla clinch the award over the Nigerian superstar, a decision that has ignited widespread discussions across various online platforms.
Criticism of Tyla's Victory and Allegations of Bias
In a video shared on his social media channels, Oyemykke repeatedly mentioned Tyla's name while voicing his disappointment over her win. He acknowledged her talent but argued that the past year was not her strongest, contrasting it with Davido's 2025 releases, which he described as some of the artist's best work. According to Oyemykke, the Grammy organizers allegedly did not want Davido to win the category intentionally, suggesting a deliberate effort to undermine his achievements.
Preferred Winners and Blame on Nigerian Fans
When discussing who should have won the award, Oyemykke proposed that it would have been an excellent opportunity for Omah Lay to shine or, alternatively, for Ayra Starr to take the trophy. He further criticized Nigerian fans, blaming them for Davido's loss. Oyemykke argued that fans often undermine the efforts of other artists by constantly measuring success based on the number of Grammy awards won, which he believes creates unnecessary pressure and negativity.
Netizens React to Oyemykke's Comments
The video sparked numerous reactions from netizens, with many sharing their perspectives on the Grammy outcome. Some users echoed Oyemykke's sentiments, suggesting that the organizers were downplaying Nigerian music, while others defended Tyla's win, highlighting her international appeal. The debate continues to highlight the passionate opinions surrounding African representation at global award shows.
This incident underscores the ongoing conversations about recognition and fairness in the music industry, particularly for African artists on the world stage. As discussions evolve, it remains to be seen how such events will influence future nominations and awards within the continent's vibrant music scene.
