Davido Calls Paul O 'Broke' in Afrobeats Feud
Davido Calls Paul O 'Broke' in Afrobeats Feud

Grammy-nominated Nigerian singer Davido has ignited a fresh online storm after publicly labeling show promoter and music executive Paulo Okoye as "Paul Broke" in a pointed Instagram comment. The remark came during a heated debate about the state of Afrobeats in 2026, and it has since gone viral, drawing hundreds of likes and triggering mixed reactions from fans and industry observers.

Davido's Blunt Comment Sparks Viral Frenzy

The controversy began when talent manager Bankulli pushed back against Paulo Okoye's assertion that Afrobeats is "dead or in a coma." Bankulli shared a detailed counter-argument on Instagram, insisting the genre is not dying but evolving. It was beneath that post that Davido chose to weigh in, writing simply: "PAUL O AKA PAUL BROKE."

The comment, while brief, landed with considerable force given Davido's status as one of Nigeria's biggest music exports. Within hours, it spread across social media platforms, racking up thousands of likes and sparking a wave of commentary from fans, critics, and fellow celebrities.

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Bankulli Defends Afrobeats' Vitality

In his original post, Bankulli argued that Afrobeats is experiencing "a growth in sound shuffling" rather than decline. He pointed to a long list of active artists—including Qing Madi, Ruger, Blaqbonez, Odumodublvck, Fireboy DML, Joeboy, Ayra Starr, and Johnny Drille—as evidence that the industry retains significant momentum.

Bankulli also took a swipe at promoters, suggesting that frustration over rising booking fees may be colouring their judgement. In his words: "It's okay for you to be obsessed with booking of some other expensive artiste and can't do so now for whatever reasons but to equate to that statement is not good my brother. Times have changed in the pricing regime of Nigerian artistes."

Industry Stakeholders Urged to Invest in Growth

Bankulli went further, urging stakeholders to invest in concert infrastructure and nurture emerging talent rather than running down the industry's reputation. His post was widely shared, with many agreeing that the genre's evolution should be celebrated rather than dismissed.

The exchange has reignited a broader conversation about the commercial health of Afrobeats, which has seen explosive global growth in recent years. According to industry data, Afrobeats streams on major platforms have surged by over 200% since 2020, with artists like Burna Boy and Wizkid selling out arenas worldwide.

Davido's History of Public Feuds

This is not the first time Davido has waded into public disputes. Earlier this year, he took a pointed jab at transport union chief MC Oluomo in an Instagram story post. Writing in pidgin English, he said: "@kingmcoluomo dem say u Dey game ... I doubt lol look ur mirror."

Davido's willingness to engage in online clashes has often drawn both criticism and applause, with fans praising his candor while detractors question the necessity of such public spats.

Reactions from Fans and Observers

Reactions to Davido's latest comment have been polarized. Some fans sided with the singer, arguing that Paulo Okoye's assessment of Afrobeats was overly pessimistic. Others defended the promoter, suggesting that Davido's comment was an unnecessary personal attack.

One social media user wrote: "Davido is just speaking facts. Afrobeats is far from dead, and anyone saying otherwise is out of touch." Another countered: "This is disrespectful. You can disagree without calling someone broke."

The Bigger Picture: Afrobeats' Global Rise

The debate comes at a time when Afrobeats is enjoying unprecedented international recognition. In 2025, the genre accounted for over 15% of all African music exports, with Nigerian artists leading the charge. Major festivals like Coachella and Glastonbury have increasingly featured Afrobeats acts, and collaborations with global superstars have become routine.

Despite this, concerns about sustainability persist, with some industry insiders warning that the market may be oversaturated. However, Bankulli's counter-argument highlights the resilience of the genre, pointing to a new generation of artists who are pushing boundaries and expanding its appeal.

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What's Next for the Feud?

As of now, Paulo Okoye has not publicly responded to Davido's comment. It remains to be seen whether the exchange will escalate or fizzle out. Meanwhile, fans continue to debate the merits of the argument, with many eager to see how the story unfolds.

For now, Davido's "PAUL O AKA PAUL BROKE" has become a trending topic, underscoring the power of celebrity influence in shaping public discourse. Whether it will have any lasting impact on the Afrobeats conversation remains uncertain, but it has certainly added a new layer of drama to an already vibrant genre.