The Museum of West African Art (MOWAA) has issued a crucial clarification about its operations and collection status, specifically denying ownership claims over Benin Bronzes and other cultural artefacts.
Official Opening Timeline and Preview Events
Contrary to circulating reports about an immediate commissioning, MOWAA confirmed that its formal opening has been scheduled for next year to allow completion of ongoing construction and broader stakeholder engagement. However, the institution will host preview events this November, including the launch of Nigeria Imaginary: Homecoming - an expanded exhibition initially presented at the 2024 Venice Biennale featuring 11 Nigerian artists.
The museum's Head of Communications and Media Relations, Mrs Wase Aguele-Konu, announced that details of the full opening-week programme will be shared on Friday via the museum's official website, wearemowaa.org. She anticipates significant interest from Benin City residents, the wider Edo community, Nigerian and ECOWAS visitors, as well as international tourists and scholars.
Clarification on Artefact Ownership and Institutional Focus
In a significant statement, MOWAA emphasized that it does not claim ownership of any Benin Bronzes or artefacts. The museum clarified that all items in its care are held with the consent of their rightful owners or relevant authorities. This clarification comes amid ongoing discussions about cultural heritage preservation in Nigeria.
The institution described its primary focus as promoting modern and contemporary West African art, while complementing existing institutions like the Benin Royal Museum and the National Commission for Museums and Monuments (NCMM) Benin Museum through research, heritage preservation, and educational initiatives.
Community Engagement and Economic Impact
MOWAA reiterated its respect for the people of Benin and His Royal Majesty, Omo N'Oba N'Edo, Uku Akpolokpolo, Ewuare II (CFR), the Oba of Benin, stating its commitment to collaboration and cultural integrity. The museum operates as an independent charitable trust with no shareholders and does not distribute profits, reinvesting all resources into cultural and educational programmes.
As part of its City Connections Programme, MOWAA will collaborate with local artists, cultural practitioners, and entrepreneurs to host events and workshops across Benin City. This initiative aims to extend the museum's reach beyond its physical walls while strengthening the local cultural ecosystem and supporting hospitality and business sectors.
The museum has partnered with regional hotels, food vendors, and transport providers to assist visitors during the opening week and subsequent operations. Discounted entry rates will be available for Benin residents and ECOWAS nationals to ensure accessibility and encourage local engagement.
MOWAA's first completed facility, the MOWAA Institute, will serve as a centre for training, research, and cultural exchange, providing opportunities for artisans and creative professionals in Edo State. The institution also clarified that former Edo State Governor Godwin Obaseki holds no financial or other interest in the organization.
The museum believes its initiatives will significantly contribute to the local economy by attracting tourism and creating employment, noting that Benin City was recently highlighted by The New York Times as one of the world's top destinations to visit.
