Veteran Artist Demands Recognition for Classic Hit
Nigerian music veteran Jazzman Olofin has publicly called out Afrobeats superstar Adekunle Gold over the unauthorized use of his classic hit song 'Raise Da Roof' during rehearsals for an upcoming London performance. The controversy erupted after Adekunle Gold shared a video of himself practicing the 22-year-old track with his live band.
The Social Media Confrontation
Jazzman Olofin reposted Adekunle Gold's rehearsal clip on social media with a pointed message directed at the younger artist. While acknowledging that he has no issue with artists freestyling each other's songs during live performances, the early-2000s star emphasized that full-scale rehearsal of his music for a major international show warranted at least a simple notification.
The veteran singer posted: "I've no issue with artist freestyling another artist's song on stage. But when you go through a great length to actually rehearse my 22-year-old hit song (Raise Da Roof) with your live band in preparation for your show in London, haba. I may be a little too old to be singing your generation's music, but I'm certainly not too old to spend your generation's money. Adekunle Gold, I'm very much alive and still actively performing. Next time, call."
Legacy of 'Raise Da Roof'
Released more than two decades ago, 'Raise Da Roof' remains one of the most recognizable Nigerian hits from the early 2000s. The track played a crucial role in establishing Jazzman Olofin's career, dominating airwaves, parties, and school events across Nigeria during its peak popularity.
The song's enduring appeal demonstrates its significant cultural impact, making Jazzman's demand for recognition particularly relevant in contemporary discussions about artist rights and intergenerational respect in the music industry.
Mixed Reactions from Fans
Social media responses to the controversy have been divided, reflecting broader conversations about musical homage versus proper attribution in Nigeria's entertainment scene.
One user commented: "But this was a rehearsal though, I don't think he performed it on stage too. Shuku shuku bambam is for KSA or Kwam1, unsure of who sang it first and bubble is for Ayuba. That being said, this is not the show but a rehearsal."
Another fan defended Jazzman's position: "People saying original owner or Ayuba was the one blah blah, are you people even okay? This band just sang 'Raise da roof' and you're still asking funny questions. Raise da roof, a song by Jazzman Olofin ft. Ayuba is being done and you're still trying to confirm who has the rights? LOL"
Some fans saw creative potential in the situation, with one suggesting: "This song particular song can be redone with Olamide, 9ice and Adekunle Gold. It can really be remastered with some horns as upbeat percussions."
Broader Industry Implications
This incident highlights ongoing tensions between established veterans and contemporary stars in Nigeria's rapidly evolving music industry. Jazzman Olofin's statement underscores that while veteran artists may not be creating current chart-toppers, they remain active performers who deserve professional courtesy and financial consideration for their intellectual property.
The confrontation serves as a reminder that classic hits from previous decades continue to hold significant commercial and cultural value, and their creators warrant recognition when newer generations draw from their work.
As the Nigerian music industry continues to gain international recognition, conversations about proper attribution, royalty payments, and intergenerational respect become increasingly important for maintaining the ecosystem's health and sustainability.
